ROMAN CATHOLIC ARCHDIOCESE OF THE HOLY NAME OF JESUS OF CEBU

Archidioecesis Sanctissimi Nominis Jesu sive Caebuana

Heraldry has been a significant part of the Catholic Church's artistic patrimony. It stems from its original utilitarian purpose of "visual identification" in times of battle. This was especially important since the combatants, who were oftentimes nobles and aristocrats, were dressed from head to foot in armor and could not distinguish each other by their faces. A large tunic or coat, embroidered and vividly colored, was usually worn over armor, so people could exactly identify who the wearer was, even when his face was obscured or from a distance—hence the origin of the term "coat of arms." This tradition was later practiced by the Church so people could easily identify their pastors, especially when accurate images and photographs were out of the question. The martial tradition of creating "coats of arms" developed into a science called "Heraldry," governed by customs and conventions, especially since coats of arms proliferated, due to social convention and practical need. The ecclesiastical arms of the Roman Catholic Archdiocese of Cebu was redesigned by a professional Italian Heraldic artist, Sig. Marco Foppoli, as commissioned by the priests-secretaries of the Office of the Archbishop in the first quarter of 2021, with the facilitation and benefaction of Rev. Msgr. Jan T Limchua.

The upper field of red represents the Sñr. Sto. Niño de Cebu (Bato Balani sa Gugma, or Magnet of Love), whose very image, which at first was a gift during the First Baptism five hundred (500) years ago, has now become the symbol of Faith in Cebu.

The field of red also honors the Visayan Proto-Martyr, San Pedro Calungsod.

 

On this same field are two lions: the first lion, in gold, is emblazoned with the coat of arms of the Kingdom of Castile; while the other, in silver, is emblazoned with the personal coat of arms of Ferdinand Magellan—these two elements were present in the original coat of arms granted to the Archdiocese. Both refer to the Hispanic origin and nascent beginning of Catholicism in Cebu, the Cradle of Christianity in the Philippines.

 

These two lions support the stylized monogram of the Holy Name of Jesus inside a stylized image of the sun—symbolizing Christ as the light of the world. It is deliberately placed at the top center of the arm, representing the titular of the Archdiocese. It also recalls the life and ministry of Jesus in the words of St. Paul (Letter to the Philippians): “…he humbled himself, becoming obedient to death, even death on a cross. Because of this, God greatly exalted him and bestowed on him the name that is above every name, that at the name of Jesus every knee should bend, of those in heaven and on earth and under the earth, and every tongue confess that Jesus Christ is Lord, to the glory of God the Father.” (Phil. 2:7-11)

The lower field of blue symbolizes Our Lady and her motherly mantle of love and compassion for the Cebuano faithful as also portrayed by the monogram “Auspice Maria” (Under the Protection of Mary) with a gold crown (above), a silver crescent (below), and gold gloriole (around the monogram).

This imagery specifically refers to her image and title, Our Lady of Guadalupe de Cebu, through whose intercession, and by God’s grace flowing from above, has saved Cebu from the cholera epidemic of 1902.

On 16 July 2006, Virgen de Guadalupe de Cebu was canonically crowned by the authority of Pope Benedict XVI as Patroness of the Archdiocese of Cebu

 

The upward, arrow tip-like shape of the blue field can be understood as a reminder to the Cebuano faithful that a deep devotion to the Virgin Mary inevitably leads to a greater love for her Divine Son, Our Lord

 

 

The entire shield is surmounted by the conventional heraldic elements identifying it to be the coat of arms of an Archdiocese, namely a Miter, and the crossed Crozier and Archiepiscopal Cross.

Written on a scroll, below the arms, is the Motto of the Archdiocese: “Sanctum Nomen Eius,” which means “Holy is His Name,” taken from Mary’s Magnificat (Luke 1:49).